The remix opens with Kendrick’s opening verses backed by very little except a some small notes from a flute or something similar, until some ominous bass notes start resonating behind his bars. And finally the drops hits, a classic Skrillex blend of bass music. The flute continues throughout the next verse, taking hold of the rhythm and becoming one of the most focal parts of the track, before dropping again.
You could previously listen to a live recording of the remix from Skrillex’s show at Webster Hall a couple months ago, but to finally have the HQ recording is nothing short of bliss. Check it out below.